South African text; Zionist palimpsest: Israeli critics read Alan Paton's Cry, the Beloved Country.” Journal of Modern Jewish Studies (Forthcoming). Publisher's VersionAbstract
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Between Apartheid, the Holocaust and the Nakba: Archbishop Desmond Tutu’s Pilgrimage to Israel-Palestine (1989) and the Emergence of an Analogical Lexicon.” Journal of Genocide Research (Forthcoming). Publisher's Version
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Una voz atravesada: El viaje poético de Nancy Morejón al apartheid Sudafricano.” Exlibris 8 (2019): 253-273. Publisher's Version
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Ahmed Kathrada in post-war Europe: Holocaust memory and apartheid South Africa (1951-1952).” African Identities (2019). Publisher's Version
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Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial.” Safundi 20, no. 2 (2019): 193-212. Publisher's Version
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Cold War carceral liberalism and other counternarratives: the case of Alan Paton’s Cry, the Beloved Country.” Safundi 20, no. 2 (2019): 153-173. Publisher's Version
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South African 'Know-How' and Israeli 'Facts of Life': The Planning of Afridar, Ashkelon, 1949-1956 .” Planning Perspectives 34, no. 2 (2019): 285-309. Publisher's Version
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Restless Itineraries: Antiapartheid Expressive Culture and Transnational Historiography.” Social Text 36, no. 3 (2018). Publisher's Version
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Cultural solidarities: apartheid and the anticolonial commons of world literature.” Safundi 19, no. 3 (2018): 260-268. Publisher's Version
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Guinea Unbound: Performing Pan-African Cultural Citizenship Between Algiers 1969 and the Guinean National Festivals.” Interventions August (2018): 1-19. Publisher's Version
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“The Musical Diplomacy of a Landless Ambassador: Hugh Masekela between Monterey '67 and Zaire '74.”.” Interventions August (2018). Publisher's Version
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"From Apartheid South Africa to Socialist Budapest and Back: Communism, Race, and Cold War Journeys." .” Stichproben - Vienna Journal of African Studies 18, no. 34 (2018): 111-134. Publisher's Version
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