Chapters in Collections

  • Morag, Raya (2000) "‘Life-Taker Heart-Breaker’: Mask-ulinity and/or Femininity in Full Metal Jacket," The Seeing Century: Film, Vision, and Identity ed. Wendy Everett Rodopi, Atlanta GA: 186-197.
  • Morag, Raya (2008) "Interpretation without a Body, a Body without Interpretation: On Some Cases of Bulimia in Cinema," Telling News Stories: Perspectives on Media Discourse in Israel eds. Neiger, M., Blondheim M. and Liebes T., Smart Communication Institute and Magnes, Jerusalem: 353-384.
  • Morag, Raya (2012) "Taking Photographs as Abuse," 'The Blot of a Light Cloud'? Israeli Soldiers, Army, and Society in the Intifada ed. Yoel Elizur Kav Adom Hakkibutz Hameuhad, Tel Aviv: 367-371. (in Hebrew)
  • Morag, Raya (2013) "Queering the Terror? Trauma, Race, and Nationalism in Palestinian and Israeli Gay Cinema during the al-Aqsa Intifada," Deeper Than Oblivion - Anthology on trauma and memory in Israeli cinema eds. Raz Yosef and Boaz Hagin, Bloomsbury Academic, New York: 167-198.
  • Morag, Raya (2014) "'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada II." In Documentary Film Book, ed. Brian Winston, BFI Palgrave McMillan, London: 237-246.
  • Morag, Raya (2015) "The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism during the Second Intifada." In A Companion to Contemporary Documentary Film, eds. Alexandra Juhasz & Alisa Lebow, New York, Wiley Blackwell: 366-383.
  • Morag, Raya (2014) "The Trauma of the Female Perpetrator and New War Cinema." In The Horrors of Trauma in Film: Violence, Void, Visualization, eds. Michael Elm, Kobi Kabalek, Julia B. Köhne, Cambridge Scholars Publishing: 293-313.
  • Morag, Raya (2015) "The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh’s Documentaries." In Post-1990 Documentary Reconfiguring Independence, eds. Camille Deprez & Judith Pernin, Edinburgh University Press: 97-111.
  • Morag, Raya (2016) "Israeli Film" (Annotated Bibliography). In Oxford Bibliographies in Jewish Studies, ed. Naomi Seidman. New York: Oxford University Press.
  • Morag, Raya (2018) "Perpetrator Trauma, New War, and Israeli Cinema." In Gender and Army in Israel, eds. Edna Lomsky-Feder and Orna Sasson-Levy, Van Leer and Hakibutz Hameouhad, Jerusalem: 319-345. (in Hebrew)
  • Morag, Raya (2020) "Perpetrator Trauma and Current American War Cinema." Languages of Trauma: History, Memory and Media, eds. Peter Leese, Julia B. Köhne, and Jason Crouthamel, University of Toronto Press (forthcoming, in press).
  • Morag, Raya (2020) "Rithy Panh, Jean Améry, and the Paradigm of Moral Resentment." Everything Has a Soul: The Cinema of Rithy Panh, eds. Joseph Mai and Leslie Barnes, Rutgers University Press (forthcoming, in press).