Eitan  Globerson, Roni  Granot, Idan  Tal, Yuval  Harpaz, Maor  Zeev-Wolf, and Abraham  Golstein. 2017. ?Brain responses to regular and octave-scrambled melodies: A case of predictive-coding?.? J Exp Psychol Hum Percept Perform, 43, 3, Pp. 487-498.

Neomi  Singer, Nori  Jacoby, Tamar  Lin, Gal  Raz, Lavi  Shpigelman, Gadi  Gilam, Roni Y Granot, and Talma  Hendler. 2016. ?Common modulation of limbic network activation underlies musical emotions as they unfold.? Neuroimage, 141, Pp. 517-29.

Annabel J.  Cohen. 2016. ?From auditory focus, to auditory influence, to multimodal experience in psychomusicological research.,? 26, 2, Pp. 99.

Renee  Timmers and Roni Y.  Granot. 2016. ?Letter of the guest editors of the special issue on 'Music as a multimodal experience'.,? 26, 2, Pp. 101.

Sarig  Sela and Roni Y.  Granot. 2014. ?Automatic extraction and categorization of Faenza Codex figurations.,? 42, 4, Pp. 559.

Atalia H Weiss, Roni Y Granot, and Merav  Ahissar. 2014. ?The enigma of dyslexic musicians.? Neuropsychologia, 54, Pp. 28-40.

Atalia H Weiss, Tali  Biron, Itay  Lieder, Roni Y Granot, and Merav  Ahissar. 2014. ?Spatial vision is superior in musicians when memory plays a role.? J Vis, 14, 9.

Roni Y Granot, Rona  Israel-Kolatt, Avi  Gilboa, and Tsafrir  Kolatt. 2013. ?Accuracy of pitch matching significantly improved by live voice model.? J Voice, 27, 3, Pp. 390.e13-20.

Roni Y Granot, Florina  Uzefovsky, Helena  Bogopolsky, and Richard P Ebstein. 2013. ?Effects of arginine vasopressin on musical working memory.? Front Psychol, 4, Pp. 712.

Yonatan  Vaizman, Roni Y.  Granot, Gert  Lanckriet, and The Pennsylvania State University CiteSeerX  Archives. 2013. MODELING DYNAMIC PATTERNS FOR EMOTIONAL CONTENT IN MUSIC.

Zohar  Eitan, Eitan  Ornoy, and Roni Y.  Granot. 2012. ?Listening in the dark: Congenital and early blindness and cross-domain mappings in music.,? 22, 1, Pp. 33.

Roni Y.  Granot and Nori  Jacoby. 2012. ?Musically puzzling II: Sensitivity to overall structure in a Haydn E-minor sonata.,? 16, 1, Pp. 67.

Roni Y.  Granot and Nori  Jacoby. 2011. ?Musically puzzling I: Sensitivity to overall structure in the sonata form?,? 15, 3, Pp. 365.

Roni Y.  Granot and Zohar  Eitan. 2011. ?Musical Tension and the Interaction of Dynamic Auditory Parameters,? 28, 3, Pp. 219.

Roni Y Granot and Atalia  Hai. 2009. ?Electrophysiological evidence for a two-stage process underlying single chord priming.? Neuroreport, 20, 9, Pp. 855-9.

Lilach  Akiva-Kabiri, Tomaso  Vecchi, Roni  Granot, Demis  Basso, and Daniele  Schön. 2009. ?Memory for tonal pitches: a music-length effect hypothesis.? Ann N Y Acad Sci, 1169, Pp. 266-9.

Zohar  Eitan and Roni Y.  Granot. 2009. ?Primary versus secondary musical parameters and the classification of melodic motives.,? Pp. 139.

Yehudah L.  Werner, Evgeny  Chernis, and Roni  Granot. 2008. ?THE CALL OF THE SRI LANKAN GOLDEN GECKO CALODACTYLODES ILLINGWORTHORUM, ECOLOGICAL PARALLEL OF THE FAN-TOED GECKOS, GENUS PTYODACTYLUS (REPTILIA: SAURIA: GEKKONIDAE).,? 18, 1, Pp. 35.

Salomon  Israel, Elad  Lerer, Idan  Shalev, Florina  Uzefovsky, Mathias  Reibold, Rachel  Bachner-Melman, Roni  Granot, Gary  Bornstein, Ariel  Knafo, Nurit  Yirmiya, and Richard P Ebstein. 2008. ?Molecular genetic studies of the arginine vasopressin 1a receptor (AVPR1a) and the oxytocin receptor (OXTR) in human behaviour: from autism to altruism with some notes in between.? Prog Brain Res, 170, Pp. 435-49.

Zohar  Eitan and Roni Y.  Granot. 2008. ?Growing Oranges on Mozart's Apple Tree: "Inner Form" and Aesthetic Judgment,? 25, 5, Pp. 397.

Zohar  Eitan and Roni Y.  Granot. 2007. ?Intensity changes and perceived similarity: Inter-parametric analogies.,? Pp. 39.

Roni Y.  Granot, Yoav  Frankel, Vladimir  Gritsenko, Elad  Lerer, Inga  Gritsenko, Rachel  Bachner-Melman, Salomon  Israel, and Richard P.  Ebstein. 2007. ?Original Article: Provisional evidence that the arginine vasopressin 1a receptor gene is associated with musical memory,? 28, 5, Pp. 313.

Zohar  Eitan and Roni Y.  Granot. 2006. ?How music moves: Musical parameters and listeners' images of motion,? 23, 3, Pp. 221.

Rachel  Bachner-Melman, Christian  Dina, Ada H Zohar, Naama  Constantini, Elad  Lerer, Sarah  Hoch, Sarah  Sella, Lubov  Nemanov, Inga  Gritsenko, Pesach  Lichtenberg, Roni  Granot, and Richard P Ebstein. 2005. ?AVPR1a and SLC6A4 gene polymorphisms are associated with creative dance performance.? PLoS Genet, 1, 3, Pp. e42.

Donna  Abecasis, Renaud  Brochard, Roni  Granot, and Carolyn  Drake. 2005. ?Differential brain response to metrical accents in isochronous auditory sequences,? 22, 3, Pp. 549.

Daniel A Levy, Roni  Granot, and Shlomo  Bentin. 2003. ?Neural sensitivity to human voices: ERP evidence of task and attentional influences.? Psychophysiology, 40, 2, Pp. 291-305.

Laura Bischoff  Renninger, Roni I.  Granot, and Emanuel  Donchin. 2003. ?Absolute Pitch and the P300 Component of the Event-Related Potential: An Exploration of Variables That May Account for Individual Differences,? 20, 4, Pp. 357.

Roni  Granot and Emanuel  Donchin. 2002. ?Do Re Mi Fa Sol La Ti?Constraints, Congruity, and Musical Training: An Event-Related Brain Potentials Study of Musical Expectancies,? 19, 4, Pp. 487.

Daniel A.  Levy, Roni  Granot, and Shlomo  Bentin. 2001. ?Processing specificity for human voice stimuli: electrophysiological evidence.,? 12, 12, Pp. 2653.

J Hirshberg and R.  Granot. 1999. ?Durational units in the responsorial singing of the Karaite Jews: A natural or learned phenomenon? .? Peamim, 77, Pp. 70-89.

COHEN  DALIAH and R.  Granot. 1995. ? Constant and variable influences on stages of musical activities: Research based on experiments using behavioral and electrophysiological indices..? Journal of New Music Research, 24, Pp. 197-229.

BARNEA  ANAT, GRANOT  RONI, and PRATT  HILLEL. 1994. ? Absolute pitch - electrophysiological evidence. International Journal of Psychophysiology, .? International Journal of Psychophysiology, , 16, Pp. 29-38.

COHEN  DALIAH, Roni  Granot, and PRATT  HILLEL. 1993. ?Cognitive meanings of musical elements as disclosed by ERP and verbal experiments..? Music Perception, 12, 2, Pp. 153-184.